Omega Three can surely describe themselves as the best little orchestra to sing the blues

It’s hard to imagine that a man who died at the age of 35 could have a ‘young period’ but so it is

Quay Players, Waterford, rolled back a quarter of a century with their production of Jim Nolan’s Moonshine at Garter Lane

There we all are, belting out the words of ‘Moon Shadow’ as the Coastguard windows reflect the moon shadows of the rocks on the bay below

Friel’s script asks us to remember where we were, what we were, and warns against repeating that experience

Triumphant night for last of the spring concerts in Waterford-Music’s season

The late Dick Meany, after whom the Strand Theatre is now named, would have been delighted with this current production

Waterford Dramatic Society continues its celebration of its 90th year with a couple of original one-act plays

Minaun Community Theatre brings its own people together and doesn’t simply shine a light on its past but owns it

Well done to the Theatre Royal for bringing the Sofia City Ballet to Waterford where there is clearly a huge audience for top-class ballet

Natasha is a superb actress and, to the best of my knowledge, this is her first foray into writing for the stage

From the moment Leah Barden’s eccentric shaman Rafiki chants in Zulu ‘Here comes a lion, Father’, the audience settles in for a treat

This show left me delighted with the musical talent to come in Waterford

The actor is endlessly resourceful in using props, limbs and gestures to carry us along his journey

A brutally honest, deeply moving and wonderfully scripted drama that is compelling from curtain to curtain

A quality production, a big local cast, firm direction and a packed hall makes for a first-class evening’s entertainment

There was a big crowd at the opening of the Anoushka Joyce Exhibition at the Coastguard Cultural Centre in Tramore

Jason Byrne's got a big following here in the Déise and he’s not going to disappoint his Friday night audience

Everything about Lukeman is theatre

Medleys are huge tonight for a show that never stops. Ever. Even to catch breath

'I want to strip songs back to where they came from, what they said when they were born, to their core'

Garter Lane was packed for a high energy performance of the popular High School Musical from David Hennessy’s Stage School 

A strong script, a polished production, excellent performances and the enduring magic of Luke Kelly made for a great night on the Mall

It’s no wonder that the Clare woman’s debut album ‘Sharon Shannon’ in 1991 was the best-selling album of traditional Irish music ever released in Ireland

The Broderick Talks resumed for the month of February with Dr Eugene Broderick focusing on the contribution of women to the body politic

Deirdre's musical legacy involved the establishment of two orchestras – Budding Bows and Concert Strings

This is page-to-stage stuff. Edward’s secret is that he treats his young audience as equals

The Fureys returned to the Royal for a sell-out performance for the Waterford leg of their last tour

Mischievous divil-may-care David O’Doherty announces his arrival with his catchphrase ‘HiYa'

Before I know it, we’re five big-beat numbers into the ABBA catalogue

Under MD Kevin O’Carroll’s baton the choir and orchestra get to the heart and emotion of the Requiem

A superb exhibition from South East Artists that’s simply choc-a-block with colour, subject matter and variety

Brewery Lane Theatre's fifth production of the O’Casey century-old classic is a splendid success

Richie Hayes kicks off the first of his Arena Pantos with a fun-filled two-hour show that powered along in front of the packed SETU Arena

Waterford Panto is not just looking back but also facing the future with new young stars

The chorus of some 112 voices from Wexford and Waterford is the perfect expression of Brahms’ love of polyphony

Waterford's Edmund Rice Chapel is acoustically perfect and the intimacy of the venue added a special warmth to the concert

Director Mike Keep certainly chose a massive challenge for his first production and his baptism of fire should stand to him in future productions

Their understanding of just where soloist and band are in the score is uncanny, as John’s gestures and nods keep everyone on track

Peter Wright is excellent as Christopher as is Gillian Walsh as the psychiatrist who finds herself questioning her own sanity

A wonderful production to mark Stagemad Theatre Company’s 40th anniversary

John Roberts’ Large Room is the perfect home for a string quartet

Each sketch is funnier than the last and the cast clearly love the humour of the evening